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  1. Gaetano Donizetti (): “Gemma di Vergy” () e “Lucia di Lammermoor” () Tragedia lirica in due atti, libretto di Giovanni Emanuele Bidera da “Charles VII chez ses grands vassaux” di Alexandre Dumas. 2 CD Sony e il a Napoli (Teatro San Carlo), New York (Carnagie Hall) e Parigi (Radio France.
  2. Catalog start Author + Title "Donizetti, Gaetano, Lucia di Lammermoor Selections" Remove constraint Author + Title: "Donizetti, Gaetano, Lucia di Lammermoor .
  3. Historia. Donizetti escribió Lucía de Lammermoor en , una época en la que varios factores lo habían llevado a la cumbre de su reputación como compositor de ógaidingsiratavetjuckdetabeccamo.coinfoino Rossini se acababa de retirar y Vincenzo Bellini había muerto poco después del estreno de Lucía, dejando a Donizetti como "el único genio reinante de la ópera italiana". [4].
  4. Lucia di Lammermoor by Gaetano Donizetti Performer: Dame Joan Sutherland (Soprano), Luciano Pavarotti (Tenor), Ryland Davies (Tenor), Nicolai Ghiaurov (Bass), Huguette Tourangeau (Mezzo Soprano), Sherrill Milnes (Baritone).
  5. Lucia di Lamermoor fut créé à Naples en l'année de la disparition de son grand rival Bellini. Si le livret campe une classique histoire d'amour impossible, le talent de Donizetti est bien dans son art consommé de créer des airs spectaculaires qui parsèment le déroulement de l'action.
  6. Pavarotti and Milnes are superb in their roles as bitter enemies, but the real star is Joan Sutherland's great voice as the emotionally wrought Lucia. Donizetti's coherently organized and relatively compact Lucia di Lammermoor (under 2 1/2 hours) makes for a sensational listening experience.
  7. “Lucia di Lammermoor” by Gaetano Donizetti libretto (English Italian) Roles Lucia - coloratura soprano Lord Enrico Ashton, Lord of Lammermoor; Lucia's brother - baritone Sir Edgardo di Ravenswood - tenor Lord Arturo Bucklaw, Lucia's bridegroom - tenor Raimondo Bidebent, a Calvinist chaplain - bass.
  8. In the then year-old catapulted herself into the top league with the London Lucia di Lammermoor and became the big competitor of Maria Callas in the Bellini/Donizetti repertoire. Ironically, the then conductor was the Italian maestro Tullio Serafin, who rehearsed a musically and artistically convincing Lucia with the Australian Sutherland.

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